Or unlock the entire collection of over 1 million royalty-free icons, as well as full access to all Pro features, for $39.99 per year. The add-on is free to use (no account required) with access to 100 of our most frequently used pictograms. Perfect for teachers, marketers, sales teams, and anyone needing to quickly create beautiful, insightful content. Choose from a huge, ever-growing collection of high-quality symbols, built by creatives from around the world. With this add-on, you can quickly find the icon you need, change its color and size, and insert it right into your slide or doc with just one click, all without leaving your workflow. Icons are a great way to visually illustrate any idea. For icons from Beyoncé to Venn diagrams, we got you covered. Genre (or Gattung) figures among the formal and thematic concerns of Rosemarie Trockel's art in a multiplicity of ways.Get access to millions of high-quality icons from Noun Project. Gattung has its origins in the Middle High German noun Gate (mate or spouse) and that word's verb form gaten (to come together, to unite, to couple), as well as the prefix-verb form begaten (to couple in the sense of mating or begetting) and Gattung is connected, though somewhat more remotely, to the modern German verb gattieren, which names processes of admixture and classification, for example in the textile and metal industries. Borrowed from the French, genre has its roots in the Latin genus ( generis) thus it calls up not only kind, race, group, and class, but birth and gender, as well as the place of genus in the discourse of natural history, in particular the biological sciences and their taxonomies. Nonetheless it is worth noting that genre and Gattung are terms not just of classification, but, more broadly conceived, of relation and generation, similarity, resemblance, production and reproduction. This is hardly the place to present a complex or extensive etymology, or indeed even a brief account of the conceptualization of genre and Gattung in the history and theory of art and literature. With regard to art, the words genre and Gattung designate classifications of form and content, technique, medium, and theme. I present this paper with her laughter-and her earnest appreciation of comedy and its capacity for transformation-in mind." I'm lucky, I know, that I lack images of her illness to intrude on my recollection of what Bianca looked like when she laughed. But knowingly, warmly, appreciatively, generously. And laughing-not uproariously, to be sure. "My most vivid memories of Bianca," I said by way of introduction to what follows, "are of her smiling. As I prepared my presentation for that event, I realized that the connection I felt to Bianca and her work with regard to this essay had to do as much with comedy, indeed with laughter, as it did with questions of genre or Gattung as such. For that reason it seemed right to offer this as my contribution to the memorial colloquium organized in Bianca's honor by Rüdiger Campe and Rochelle Tobias at Johns Hopkins in October 2005. 1 Commissioned for the catalogue of the retrospective exhibition, Post-Menopause, organized by the Museum Ludwig, Cologne, in 2005, my remarks on that subject were written in no small part with Bianca Theisen's work, especially her final book, Silenced Facts, in mind. This essay concerns the role of genre, or Gattung, in the work of contemporary artist Rosemarie Trockel.
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